Ding! How to Improvise With Anything Life Throws Your Way!
In my speeches and on this blog, I use the phrase, “Ding!” or “Ding! Happens” If you have seen me speak, then you know exactly what I am talking about. If not, you may be confused. Here then is the explanation of “Ding!”
The “Ding!” comes from an improv comedy game that I play to start off my speaking programs. In it, I give an audience volunteer a bell, and then I begin telling a story. The volunteer can ring the bell (“Ding!”) anytime they want. When they do, I have to roll my story back, start repeating what I said, but change it to something different. For example:
“Once upon a time there was a girl who had a pet dog”
Ding!
“Once upon a time there was a girl who had a pet cat”
Ding!
“Once upon a time there was a girl who had a pet mouse”
Ding!
“Once upon a time there was a girl who had a pet llama”
Whatever. I can say anything I want, as long as it is different. If the volunteer doesn’t ring I just keep telling the story but only as if the last thing was said. So in this example the dog, cat, and mouse would all be gone, and we would have a story about a girl and her pet llama.
To see examples of this game inaction, visit the Videos page of this site
The game is fast, high-energy, and funny. The lesson from the game is that the universe acts in just the same way. You are moving nicely down one path and everything is coming along fine and then all of a sudden, “Ding!” the universe throws you a curve-ball and says, “here, deal with this.”
Anyone can do well when everything goes well. What separates people who succeed in the long run from those who fail or give up is how they respond to the unexpected when it happens – because it will!
So how do you respond when Ding Happens? I’m glad you asked…
The Step By Step Process to Improvising With Anything
When Ding! Happens the people who excel, succeed, and thrive, are the ones who react quickly and take powerful action. This is true for improv comedians performing for an audience or for non-performers going about their lives. The thing that allows great improviser to improvise effectively, on stage or off, is that they have conditioned themselves to react to the unexpected automatically in a way that keeps them out of paralysis and gets them moving forward. They may not even consciously know that they do this, but they do.
In my work as a performer and instructor of improv comedy, as well as my work speaking and training for organizations on how to apply improv comedy to their businesses, I have developed a simple but powerful step by step process that will allow anyone to improvise with anything that life throws at them. The process consists of two underlying mentalities followed by the three simple steps.
The process can be applied consciously at first, but over time the goal is to be so well versed in the process that it happens automatically, in every scenario. That is the key to being a fantastic improvisor.
The Process:
The Two Mentalities
1) Have Fun
You can not perform improv comedy if you are not willing to have fun (believe me, I have seen people try!) You can go through life without having fun, but why would you want to? Life is too short…
Having fun Is more than just a quality of life issue though. When you are having fun, you free up your creative power, you are more open to taking (calculated) risks, and you have more energy. Your ability to have fun directly impacts your performance.
Have you ever watched a sporting event on TV and heard the commentators say about the team that was winning, “they look like they are having fun out there?” Sometimes we think that they have fun because they are winning; the opposite is actually true. The more fun they have the more likely they are to win.
This is not to say that bad things won’t happen. They key is to realize that a) No matter how bad things are, your bad mood won’t change them and b) by relaxing and heaving fun you increase your chances of turning things around.
Great improvisers know how to focus on the fun even in tough times.
2) Be Willing to Fail
Improv is inherently a risky type of performance. You can’t pre-write and rehearse the lines you will say – after all, you are making it up on the spot! Every time you step out to do a show, you have no idea what will happen.
That level of risk makes many people terribly afraid of improvising. Sadly, the more afraid you are, the more likely you are to fail.
While great improvisers have trained in a way to reduce risk, that risk never completely goes away. The best improvisers accept that failure is a very real possibility, and then take action (and have fun) anyway. That willingness to mess it up actually decreases the likeliness of failure.
The same thing applies in the “real world.” If you approach a task with the fear of failure, you will get tense, stressed, and be unnatural. All of these things hamper your ability to perform well. Only when you let go of that fear can you do your best. And only by accepting that the worst may happen and if it does you will be fine can you let go of that fear.
Note: I am not saying that failure is ok. Failing can be very bad and can carry sever consequences. They key is to realize that while you are taking action you must accept the possibility of failure so it no longer has power over you. That is what great improvisers do.
Think of something you excel at. I am going to bet that you a)have fun doing it and b) aren’t afraid of messing it up. On the flip side, think of an area in your life where you feel weak at or you feel could use improvement. I will bet that you a) don’t have fun doing and probably get tense or down just thinking about it and b) put so much importance on it that you are terribly afraid of messing it up.
These two mentalities are universal. Develop them and you will be better at everything you do, even if you don’t learn or apply the three steps.
The Three Steps:
1) Know Your Outcomes
When ding happens, many people respond by working harder on what they were already doing. While hard work is admirable, this is a bad strategy. You see, when the unexpected occurs, our previous plans and tasks may become completely invalid. If we focus immediately on details or process, we may miss the big picture and end up wasting lots of time and energy. Great improvisers know that as soon as ding happens, they need to focus and evaluate their outcomes.
I learned this from my performing days. I have seen improv comedians who are technically proficient. They do everything right. But for some reason, they are just not that much fun to watch. On the flip side, I have seen improvisers who aren’t technically perfect. They make some mistakes. But they are ridiculously entertaining. Guess who I want in my group? I learned that the goal of a comedy show is to entertain and make the audience laugh. The improv games and skills were tools to accomplish that. This doesn’t mean that I would want to work with someone who was technically awful (I think great skills are the key to great entertainment). But if I have to choose between technically sound and amazingly entertaining vs. technically amazing and just “sound” in terms of entertainment, I am going with the first choice because that fits the outcome!
When the unexpected occurs (and it will) your first response should be to immediately focus on your outcome. What do you want to accomplish? What is your goal? Quite often, the unexpected event will have changed the outcome. Sometimes the unexpected event will actually open a new and better path to your outcome. By re-focusing immediately you ensure that you will always be taking the right action at the right time.
2) Focus on What You Can Control, Let Go of the Rest
The second step is to focus on what you can control and let go of the rest. So many people waste so much time focusing on things they have no control over. This includes:
- Stressing over what someone else will say or do
- Worrying about what might happen in the future
- Complaining about something that happened in the past
- Hoping a situation will turn out a certain way
- Blaming others for mistakes they made
All of these are examples of putting your attention on things you can not control.
The only thing you can control is what you do, right now. That’s it.
When ding happens, great improvisers put their attention immediately and exclusively on what they can do right now in this moment. That is the key to quickly and powerfully dealing with the unexpected. There is a time and place to lay accountability, examine past mistakes, think about the future. That time is not immediately when ding happens. That time is later, once the crisis is resolved.
Great improvisers know and apply this. People who don’t get this waste precious time and energy focusing on all the wrong things.
3) Say “Yes, And,” Instead of “Yes, But”
One of the core principles to great improv comedy is to say, “yes, and” to your partners. This means that when a fellow performer says something you say, “yes,” to accept their idea and then say, “and’ to add your own input and build off of it.
Sadly, many people say, “yes, but” instead of “yes, and.” “Yes, but” is basically a semi-polite way of saying “no.” Saying “yes but” leads to bad improvisation, on stage or in life.
Here’s why: “yes, but” keeps you stuck exactly where you are. There is no progress, no movement, and no growth. Along those lines, “yes, but” keeps you fixated on the problem.
“Yes, and” is the way to move forward, grow, and progress. When you say “yes, and” you are taking action and switching your attention on to the solution.
Think about a time when someone “yes, butted” you. It probably felt pretty bad, like they were disrespecting you or arguing with you. That’s what “yes, but is,” a negative argument. “Yes, and” is positive and collaborative.
This is not to say that you simply say, “yes,” with everything presented to you, even if you don’t agree. The idea of “yes, and” is a mental technique, not a literal one. The key to “yes, anding” is to think “yes, and” first. Hear someone out. be open to new ideas. Take some chances. You can then later on say, “no,” or “but,” after you have given things a chance. Most people start with “yes, but” and then need to be convinced otherwise. To be a great improviser, you need to start with “yes, and” and then, after thinking things through, later on you can decide to say no.
There you have it. The simple but powerful step by step process to improvising with anything. The next time Ding! Happens try these steps and watch yourself deal with things quickly, powerfully, and with a sense of humor.
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